Your wedding day is one of the most important days of your life. The wedding gown you choose should reflect your individual sense of style and personality. Since wedding gowns come in different sizes and styles, knowing which style suits your figure can help you choose a wedding gown to enhance your natural beauty.
HOURGLASS - curvaceous. The objective is to maximize your curves and maintain balance.
Here's how:
Choose gown with simple, classic lines like sheaths and mermaid styles
Avoid ball gown or empire waist silhouette that may make you look disproportioned as well as high necklines.
Emphasize a small waist with a fitted waistline. Soft gathered skirts disguise hips and draw attention to the waistline; A-line dresses also work well.
Use details or embellishments wisely: bodice detail such as beading or lace will bring the eye upward and emphasize the upper body.
Consider an open neckline to flatter the shoulder line and bring the eye upwards.
TRIANGLE - lower body is wider than upper body. The objective is to make your upper body look more in proportion to your lower body.
Here's how :
Create height with an elongated waistline.
Wear full sleeves to create the appearance of wider shoulders.
An off-the-shoulder neckline will show your top more in proportion to your bottom.
Details on the bodice to draw the eye toward your face and upper body .
REVERSE TRIANGLE - upper body is wider than the lower body. The o bjective is to de-emphasize your shoulder area and emphasize the width of the lower body.
Here's how:
The ball gown style will give you a balanced look by creating the illusion of an hourglass figure.
A simple bodice with minimal accents will draw less attention to the upper body width.
Look for gown with minimal shoulder details, simple sleeves, moderate padding, and natural shoulder lines
Avoid high necklines, full sleeves, slim, straight skirts, empire waistlines and plunging necklines.
Choose a detailed skirt to draw the eye downward.
Create additional height with an elongated waistline, for example, a drop waist.
RECTANGLE - nearly equal bust and hips, minimal waist definition. To objective is to create the illusion of curves.
Here's how:
Two piece outfits will work well by breaking the vertical body lines.
The ball gown style with details at the waist will give the illusion of an hourglass figure.
Detailed sleeves will draw the eye outward.
An open neckline (jewel or bateau) or off the shoulder look will broaden the shoulder line.
Horizontal detailing will draw the eye across the torso and combat vertical body lines.
Avoid slim silhouettes or gowns in soft, clingy fabrics.
Avoid high or drop waists, instead go with a fitted waist.
OTHER FIGURE FLATTERING TRICKS
Petite frame - A sheath or A-line gown will enhance your figure. These styles will create a long, uninterrupted line, which will create the illusion of height. For slim petites, the sheath or mermaid style is ideal. A princess style works well for full-figured petite women.
Thin frame - The sheath gown was designed with you in mind. You can also wear the ball gown style, which has a very feminine shape.
Full-figured - The ball gown style with a fitted waist will have a slimming effect. The A-line style with a low neckline can also accentuate your beautiful curves.
Short waist - The princess style that gradually opens from waist to a flare/full skirt (A-line) will elegantly elongate your figure.
Thick waist - The empire style (high waist) will de-emphasize your waistline and provide a long, slimming look.
Long waist - A high empire waist, or that just a little lower than empire, paired with an A-line or straight skirt, are best for long torsos. Avoid drop waists.
Full hips - A-line skirts are best for the bottom-heavy bride. Leave detailing to upper portion of body to draw attention from hips.
Small bust - You can have fun with intricate details, such as beadwork, sequins and on-the-shoulder necklines. Draping at the neckline is flattering, as well as an empire-style gown with a seam under the bust line.
Less-than-perfect arms - Don't cover them up - go strapless, because sleeves or straps can often draw more attention to the area. In particular, avoid cap or band sleeves, which cut the upper arm at its widest spot.
Large bust - Avoid a closed neckline, and strapless gowns, which usually push the bust up too much. Sweetheart, scoop and V-necks are the best choices for necklines, and a drop waist helps minimize bustiness by creating space between the bust and the waist.
Tall frame - Big, poufed wedding dresses can be overpowering on a tall woman, and very slim wedding dresses can make you look even taller. For the right balance, try a soft ball gown without too much fullness or a skirt shape that is flat in front with draping or bustles in the back.
Broad shoulders - A halter style is a good choice because it pulls the eye up and makes the shoulders look narrower. Or try a strapless dress, which de-emphasizes the broadness of the back and avoid off-the-shoulder necklines which make shoulders look bigger.
Narrow shoulders - Halters tops and strapless styles accentuate small shoulders, so try a style with thick or wide-set straps. An off-the-shoulder shawl collar can balance out your figure, as can a bolero jacket or a shawl.
Short neck - Open necklines are the key to lengthening a short neck - collars that close around the neck only make it appear shorter. Strapless, V-neck and spaghetti strap styles are flattering.
CHOOSING A NECKLINE The neckline you choose should flatter your face shape. Listed below are some basic guidelines based on the shape of your face:
Square: Scoop, round or V-necklines are best.
Round: Scoop, angular or V-necklines. Avoid high necklines.
Oval : Lucky you - any type of neckline works well.
Oblong : Round or square necklines will widen the face.
Heart: Any type of neckline works well.
Diamond: Wide open necklines and rounded necklines. Avoid V-necks.
Wide jaw: a V-neck will lengthen and narrow the bottom portion of the face.
SILHOUETTES Silhouette refers to the overall shape of a gown. Wedding dress silhouettes fall into four basic categories:
A-Line : A dress with a fitted bodice that gradually flares from the waist.
Ball Gown: A dress that has a fitted bodice and a waistline that leads to a very full skirt.
Mermaid : A slim, body-hugging dress with a skirt that flares out below the knee.
Sheath: Narrow, body-conscious style that hugs the bust, waist, and hips.
NECKLINES
Bateau : A high, wide straight neckline that runs straight across the front and back, meeting at the shoulders; the same depth in the front and back. Also called "Sabrina."
Cowl : A neckline featuring a piece of material attached to a garment at the neck, which may be used as a hood or draped loosely in swag from shoulder to shoulder at the front neckline or back.
Halter: Wraps around the neck; generally leaves arms and back bare.
Jewel: Also known as the T-shirt neckline, due to it's similarity to an actual T-shirt, the jewel neckline is round and sits at the base of the throat.
Keyhole : A tear shaped or round cutout that fastens at the front or back neckline.
Off-The-Shoulder: Fits just below the shoulders with long or short sleeves.
One-Shoulder: An asymmetrical neckline where one shoulder is covered and the other is bare.
Portrait: A wide shawl collar, soft scoop from the tip of one shoulder to the tip of the other.
Scoop: The scoop, a U-shaped neckline, is a universally flattering classic. It can be cut low, and quite often the scoop will continue on the back of the dress.
Square : A neckline shaped in the form of a half square.
Strapless: Neckline goes straight across the body just above the bust without sleeves or straps.
Sweetheart: The sweetheart neckline -- which is actually shaped like the top half of a heart.
V-Neck: Drops from shoulders to collarbone in a "V".
WAISTLINE The waistline of the wedding dress is the horizontal seam that joins the bodice and skirt. The waistlines also dictate how a dress works on your figure.
Asymmetrical: Begins at the natural waistline and angles down to one side.
Basque: Falls b elow the natural waistline and forms a "V" .
Dropped: Falls below the natural waistline.
Empire: Begins just below the bust line.
Natural : A seam or waistband that secures or falls at the natural curve of the body, which is the indentation between the hips and the ribcage.
Yoke : A yoke may either be the upper part of the bodice or a widened waistband to which the rest of the garment is attached.
SLEEVES
Balloon : A sleeve shaped full over the upper arm and narrowed from the elbow to wrist. The sleeve is fuller at the top.
Bell : A sleeve that is narrow at the armhole and wide and uncuffed at the wrist as seen in choir gowns.
Bishop : A long sleeve which is full below the elbow and gathered or left loose at the wrist.
Cap : A small, short sleeve which sits on the shoulder, either forming a stiff cap or falling on to the arm to provide minimal coverage.
Fitted : A long, narrow sleeve that tapers to the wrist with button closure.
Poet : A sleeve that is gathered at shoulder and very full from shoulder to cuff.
Pouf : A full sleeve created by generous gathering around the armhole; of varying lengths.
Spaghetti Strap : A thin tubular strap that attaches to the bodice, named for the likeness to a strand of spaghetti.
Tulip : A short sleeve that crisscrosses over the biceps of the arm. Also knows as the petal, crisscrossed or overlapped sleeve.
HEMLINE The hemline of a wedding gown refers to its length. The length of your dress can be used to dictate the formality of your wedding. Floor-length gowns are considered the most formal. Gowns that fall anywhere from mid-calf to ankle are considered semi-formal. And a gown that's knee-length or shorter is said to be an informal.
Ballerina : A full skirt that reaches just above the ankles.
Floor Length : A gown lightly touching the floor on all sides.
Intermission or Hi-Lo : An intermission length gown features a hem falling between the knees and ankle; the Hi-Lo variation is a gown of intermission length on the front and floor length or longer in the back.
Knee Length : A skirt that ends just below the knee.
Mini Skirt : A skirt that ends well above the knee.
Street Length : A skirt hemmed to end just below the knee.
Tea Length : A gown hemmed to end at the shin.
BODICE DETAILS
Corset : A form-fitting, usually strapless bodice with boning and either laces or snap closures, styled in the fashion of the ladies undergarment of the same name.
Midriff : A bodice with snugly fitted inset around the rib cage.
Princess Line : A sleek fitting bodice characterized by two vertical bust point seams and no horizontal seams at the waist.
Surplice : A bodice created by the cross-wrapping of fabric; may be in front or back, and associated with a high or low neckline.
SKIRT DETAILS
Accordion Pleats : Pleats have folds resembling the bellows of an accordion. The pleats are close together and the depth is equal from waist to hem. The edges of accordion pleats all face one direction.
Back Slit : A vertical opening at the back seam of a garment that allows for freedom of movement.
Box Pleat : Two folds of fabric brought together to form a pleat.
Bustle : A pad of tulle, down, or other type of stuffing worn under a skirt, which is attached to the back below waist level and which serves as a base over which the skirt's material is pleated or looped.
Flared Skirt : A skirt that is fitted at the waist and flares out in an A-line or tulip shape at the hem.
Flounce : A wide ruffle around the bottom of the skirt (similar to a peasant skirt).
Front Slit : A vertical opening at the front of a garment, usually along the seam, that allows for freedom of movement.
Side Slit : A vertical opening at the side seam of a garment that allows for freedom of movement.
Straight Skirt : Also referred to as a pencil skirt, this skirt is a straight line with no flare or fullness at the hem or waistline.
Tiered : A skirt comprised of layers of fabric of varying lengths.
Wrap : A skirt that has two free edges, one of which is folded and wrapped over the other.
TRAINS
Cathedral : (Also known as a Monarch Train); a cascading train extending six to eight feet behind the gown, for the most formal weddings.
Chapel : The most popular of all train lengths, it flows from three to four feet behind the gown.
Court : A train extending one foot beyond the sweep train.
Extended or Royal : A train that is longer than nine feet in length.
Sweep Train : The shortest train, barely sweeping the floor.
Watteau Train : A train falling from the shoulder blades to the hemline of the gown.
HEADPIECES
Backpiece: The backpiece is a barrette or comb often decorated with flowers, beads, or bows that fastens to the back of the head, to which the veil is then attached.
Bunwrap: T he bunwrap is a circular band with flowers and beads that encircles a bun or updo.
Comb: A comb adorned with flowers and beads and used to cap off an upswept hairstyle.
Crown: Different from a tiara, a crown is a full circular piece that sits atop the head and is adorned with stones, gems, or beads.
Half Crown: Smaller than a crown, but greater in height than a tiara, the half crown is a half circle of jewels that sits atop the head.
Headband: A band of varying width that closely follows the shape of the head.
Profile: A cluster of silk flowers, pearl sprays or crystals secured on a comb and worn asymmetrically on one side of head.
Tiara: A tiara is a jeweled or beaded semi-circle worn on top of the head.
VEILS
Most veils are made of nylon or silk material called illusion. Embellishments often include poufs, which are small gathers of veiling on the crown of a headpiece.
Blusher: A short, single layer of veiling, the blusher is worn over the face before the ceremony, then either flipped over the head or removed thereafter.
Chapel: A formal veil that extends to the floor, the chapel falls two-and-a-half yards from the headpiece.
Cathedral: A veil length that falls three-and-a-half yards from the headpiece
Double Tier: A veil of two layers (either two veils or a veil and a blusher), usually of different lengths.
Elbow: A veil length that extends to the elbows.
Finger Tip: A veil length that extends to the fingertips.
Flyaway: A multi-layered veil that just brushes the shoulders.
Fountain: This veil is gathered at the crown of the head to create a cascading effect around the face.
Mantilla: A long, Spanish-style circular piece of lace that frames the face. Made either of lace or lace-edged tulle, the mantilla is usually secured with a comb.
Pouf: A gathered piece of tulle or netting that fastens to a comb or headpiece to create height for the veil.
Waltz/Ballet: A veil length that falls somewhere between the knee and the ankle.
GLOVES
Elbow Glove: A glove that ends just above or below the elbow, this style can feature six, eight, ten, or twelve buttons, depending on the length of your arm.
Fingerless Glove: The fingerless glove -- worn either short or long -- is great for the all-important exchange of rings.
Gauntlet Glove: A long glove with a complete lack of hand covering, the gauntlet looks more like a sleeve that travels from elbow to wrist.
Short Glove: Most appropriate for informal or semi-formal events, the short glove hemline ends within two inches of the wrist (about nine inches long). This style looks great with long-sleeved gowns, and is commonly referred to as a "one-button glove." Two- and four-button styles end between the wrist and the elbow.
Opera Glove: The most formal of all gloves, the opera-length style features 16 buttons, extends to the upper part of the bicep, and looks wonderful with sleeveless and strapless gowns.